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NATALIE O'CONNOR (LEONTARIS)

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Covid Colour Challenge. sureness, brightness and depth.

Natalie O'Connor May 19, 2020

It feels like the world has suddenly paused and started to notice things that are small. So small that our eyes do not see them… but we are aware and have a sense that they are there.

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In experimental art, colour, contemporary art, paint, red, beauty of colour Tags colour, watercolor, research, red research, covid, colourchallenge, phd
 

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View fullsize A moment captured @green_st_studio by @eder_artworks budding photojournalist and former student from @inaburra_school . Skye Eder photographed and interviewed me in my studio, finishing some pieces and preparing some surfaces for my upcoming art resi
View fullsize From Place to Painting Days and places often fold into one. Memories of places I’ve experienced before and will see in the future. This first video was taken as I travelled with friends along the arumpo road north from Mungo. The sky reflected
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View fullsize So thrilled to be featured in all my REDNESS in @themargotmagazine It was a lovely opportunity to share some of my journey with colour through my paintbox. #red #redness #redresearch #colour #color #pigments #paint #winsorandnewton #margot #artist
View fullsize Just added a little bit of warmth with Cadmium free red. So nice to see the play of Alizarin Crimson and its unusual staining alongside the softness and subtlety of this warm red. #studio #red #redness #warmred #coolred #redresearch #somethingsneverg
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View fullsize I’ve been travelling to Mungo for ten years now and I’ve lost count of the trips out here. This is a forever place to me. I’m reminded of so much about how we live our lives when I’m here because you can’t help to consid
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I acknowledge and pay my respects to the Elders, past, present, and future and all Aboriginal and Torres Strait Islander First Nations Peoples in Australia, on the places where I live, work and research. I recognise and respect their cultural heritage, beliefs and relationship with the land, which continue to be important to the Aboriginal people living today. I give my profound thanks to the Elders of the Three Traditional Tribal Groups (3TTG), the communities of Mungo and the Willandra Lakes Region World Heritage Area.