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NATALIE O'CONNOR

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I acknowledge and pay my respects to the Elders, past, present, and future and all Aboriginal and Torres Strait Islander First Nations Peoples in Australia, on the places where I live, work and research. I recognise and respect their cultural heritage, beliefs and relationship with the land, which continue to be important to the Aboriginal people living today. I give my profound thanks to the Elders of the Three Traditional Tribal Groups (3TTG), the communities of Mungo and the Willandra Lakes Region World Heritage Area.

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I’m currently making some timelapse videos to assist art educators when teaching colour hopefully for the 2025 @vadea_nsw conference called ALCHEMY.
I thought I’d share the beginnings as you might find it as fascinating as I do.
This ser

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Just completed!
The Redness That Lies Beneath My Feet.
Acrylic and Charcoal (from site with permission) on stretched cotton duck canvas.
A3 size.
Scroll to see diary sketches that informed this work.
I’ve been working on each layer ever so slo

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I’ve been asked so many times to do a workshop on colour that I’ve started to consider how I would do this differently… and to be honest after so many years of seeing programs that are so dreadfully dry and confusing I really wonde

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Making marks with time and colour.

Low temperature bisque fired paperclay soaked in Venetian red watercolour and left for a few days to scar the turquoise stains.
Work in progress
Love the process.
#redresearch #red #turquiose #watercolour #watercol

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