The Place Before Me
The Place Below Me
The Place Behind Me
The Redness That Time Left Behind
Whispers of Redness (acquired)
When The Waters Returned
The Place Before Me55 x 70 cmLayers of Cadmium Red, Scarlet Lake and mica watercolour washes with the sediment of charcoal on Arches 640gsm paper
The Place Below Me55 x 70 cmEarth Reds; Caput Mortuum Violet, Brown Madder and Indian Red residue on Arches 640 gsm Paper
The Place Behind Me55 x 70cmRetiring Reds of Alizarin Crimson, Rose and Winsor Red Deep watercolour leave their mark on Arches 640gsm Paper
The Redness That Time Left BehindLayers of time, echoes and memories of colours, and fading light on the ancient Gol Gol Layer. Rose Madder Genuine, Burnt Sienna, Venetian Red and Caput Mortuum Violet on Arches 640gsm Paper.
Whispers of Redness (acquired)55 x 70cmWhispers of Redness in the shifting layers of light upon the ancient red Gol Gol Layer at the Mungo Lunettes. Burnt Sienna, Potters Pink and Venetian Red watercolour on Arches 640gsm Paper.
When The Waters ReturnedWhen The Waters Returned was painted in 2025 and sees a transition of materials from watercolour on paper to acrylics on canvas. It recalls on memory of a place, Paika Lake, on the edge of the Willandra World Heritage Area. This was originally sheep farming land and it carries the remnants of colonial Australia left behind. The lake that sits there now has been reclaimed through the efforts of the landowner Di Williams and her late husband John, who wanted to see the originally wetlands restored to a time before colonisation. On one visit the lake that had been forced to dry up again to remove the carp, was filling again as the weir at Paika Creek had been reopened and the waters flooded the plains. It was a series of misty rainy days where there was no direct shadows and the raindrops seemed to sit suspended in the air.
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