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NATALIE O'CONNOR

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Natalie O’Connor. Gol Gol Layer Colour Observation #5 dry state and #6 wet state. Installation at Hazelhurst Regional Art Gallery Finalist at Works on Paper Exhibition, 2019 — Gol Gol Layer Colour Observation #5 dry state and #6 wet state. Installation at Hazelhurst Regional Art Gallery Finalist at the Works on Paper Exhibition, 2019

I acknowledge and pay my respects to the Elders, past, present, and future and all Aboriginal and Torres Strait Islander First Nations Peoples in Australia, on the places where I live, work and research. I recognise and respect their cultural heritage, beliefs and relationship with the land, which continue to be important to the Aboriginal people living today. I give my profound thanks to the Elders of the Three Traditional Tribal Groups (3TTG), the communities of Mungo and the Willandra Lakes Region World Heritage Area.

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I see red

Redness #7
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Redness #8
Redness #9
Redness #10
Redness #11
Redness #12

31 x 43cm
Single red pigments @winsorandnewton on handmade cotton rag paper

“Natalie O’Connor’s The Nature of Redness conj

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Since arriving @green_st_studio my work has continued to examine the inherent qualities of red pigments but I’ve shifted the layering process.
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Redness #1 (sold)
Redness #2 (sold)
Redness

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